For security reasons, the presentations of the 2º-year exercises are restricted to the academic community.
Turma C2
Distribution of Personages per act
ATO I
Márcio- Mariana from Ó
Menenium- Maria Inches
Cominium- Francisca Fernandes
Gross- Laura Mendonça
Volhumnia- Vicente Gil
Virgilia- Marco Augusto
Valeria- Laura Mendonça
Auphidius- Andreia Simões
Dama Romana- Maria Inês
Senator Volsco- Marco Augusto
Citizen Romano 1- Marco Augusto
Citizen Romano 2- Vicente Gil
ATO II
Márcio- Laura Mendonça
Menenium- Francisca Fernandes
Cominium- Ana Calvete
Gross- Andreia Simões
Volhumnia- Marco Augusto
Virgilia- Vicente Gil
Valeria- Maria Inês
Official 1- Andreia Simões
Citizen Romano 1- Andreia Simões
Citizen Romano 2- Maria Inês
Citizen Romano 3- Vicente Gil
ATO III
Márcio- Maria Inderal
Menenium + Cominium- Laura Mendonça
Gross- Ana Calvete
Volhumnia- Andreia Simões
Senator R/Patricio- Laura Mendonça
Edil- Vicente Gil
Citizen Romano 1- Marco Augusto
Romano Citizen 2- Francisca Fernandes + Vicente Gil
ATO IV
Márcio- Marco Augusto
Menenium- Andreia Simões
Gross- Maria Inês
Volhumnia- Laura Mendonça
Virgilia- Francisca Fernandes
Auphidius- Vicente Gil
Nicanor Romano- Ana Calvete
Adriano Volsco- Maria Inês
Citizen Volsco- Laura Mendonça
Created Volsco 1- Ana Calvete
Created Volsco 2- Andreia Simões
Created Volsco 3- Francisca Fernandes
ATO V
Márcio- Vicente
Menenium - Laura Mendonça
Volhumnia- Francisca Fernandes
Virgilia and Valeria- Andreia Simões
Auicide- Marco Augusto
Conspirator Volsco 1- Ana Calvete
Conspirator Volsco 2- Maria Inês
Sentinel Volsco 1- Ana Calvete
Sentinela Volsco 2- Maria Inderal
Soldier Volsco 1- Ana Calvete
Soldier Volsco 2- Maria Inês
Texts of the Ramos
The work that now presents itself stems from encounters and encounters at a crossroads: exploring aspect related to the interpretation of the isabelino text and performing an exercise with spectacle ambition. The Tragedy of Coriolan , by William Shakespeare, was the material I proposed to make the crossing by a dramatic universe, in which the poetic language reveals breathtaking challenges to the work of the actors: beyond the development of the narrative and the tessitura of the characters, the dimension of the themes, the profusion of the images, the complex organization of the syntax. Making with this that was one of the last pieces of the English author the montage of a celebrated exercise, without too much dramatic interventions in the translation of Manuel Resende, integrating the different branches of the Graduate Degree into Theatre and in the grinding context of public health we live in, crossed the path of increased challenges. It is therefore a kind of travel reporting; and only with one foot already on land-the other one swinging still amid the waves-, a few hours away from we invite you to listen to us, here are these words about what might be coming to find. Save, good citizens! - APC
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Despite our Cena Design class being separated into three different stage plays, we were more united than ever before. It was the first time that we saw our projects take shape and keep track of each other's process made us perceive different possible paths, learn to work with new materials, realize the times and prices that each element may have, among many others. We always support each other and our teachers motivate us every day with a smile on their face, with a willingness to work with us. For the play "Coriolano", we stayed with a room other than the others, which gave us the opportunity to deconstruct a stage in order to build it and so we created a spectacle room. This project has walked many different rails until it comes to its final aspect, always in return with the encenitor. The result impressed us, for even with all the variations of ideas, we noticed that there was a line that was followed from the first conversation with the team. - Cena Design Team
I can characterize the process of the spectacle "The Coriolano" as a unique challenge, full of turns and contravoltas that, certainly, will mark this walk that is the Theatre Licentiature. It was a moment in which I could put into practice the knowledge acquired in the last two years; however, it was also a moment of personal learning within the framework of the relationships between branches, conflict management and teamwork. - Diogo Zózimo
Guidance and Adaptation -Alexandre Calado
Based on the work of William Shakespeare
Translation- Manuel Resende
Ramo of Actors - Andreia Simões, Francisca Fernandes, Marco Augusto, Laura Mendonça, Maria Inês, Vicente Gil, Ana Calvete, Mariana do Ó
Figurines, Centers, Aderepes -Julia Junqueira and Mária Bombardelli
Drawing of Light- Diogo Zózimo
Video -Julia Junqueira
Operation of Light -Diogo Zózimo
Sound and video Operation -Julia Junqueira and Mária Bombardelli
Production -Diogo Zózimo
Pedagogical Team ESTC
Actors: Joao Henriques (voice), Peter Michael Dietz (body)
Design of Cena: João Calixto, Stéphane Alberto;
Production: Andreia Carneiro, Conceição Mendes, Miguel Cruz, Teresa Varela
ESTC Production Cabinet- Rute Reis ,Conception Costa
Thanks- Miguel Mendes, Marta Semion, Sergio Joaquim, Rute reis, Catarina Fernandes, Beatriz Tinoco, Andrea Ebert, Ricardo Junqueira, Luiz Eduardo Lahutte Motta, Marina Andrade, Michele Mazzara, José Espada, João Leitão, Ana Miffon, Sofia Ramos
Distribution of Personages
ATO I
Márcio- Mariana do Ó
Menenium- Carolina Parreira
Cominium- Filipe Pinto
Gross- Joao Fialho
Volhumnia- Rodrigo Antunes
Virgilia- Filipe Pinto
Valeria- Joao Fialho
Aufidius- Andreia Simões
Dama Romana- Maria Miguel Oliveira
Senator Volsco- Francisca Fernandes
Citizen Romano 1- Maria Miguel Oliveira
Citizen Romano 2- Francisca Fernandes
ATO II
Márcio- Maria Miguel Oliveira
Menenium- Filipe Pinto
Cominium- Carolina Parreira
Gross- Andreia Simões
Volhumnia- Joao Fialho
Virgilia- Rodrigo Antunes
Official 1- Mariana do O
Citizen Romano 1- Mariana do Ó
Citizen Romano 2- Filipe Pinto
Citizen Romano 3- Rodrigo Antunes
ATO III
Márcio- Carolina Parreira
Menenium- João Fialho
Cominius- Maria Miguel Oliveira
Gross- Mariana from Ó
Volhumnia- Andreia Simões
Romano Citizen 1- Filipe Pinto
Romano Citizen 2- Rodrigo Antunes
ATO IV
Márcio- Joao Fialho
Menenium- Maria Miguel Oliveira
Gross- Rodrigo Antunes
Volmonia- Carolina Parreira
Virgilia- Filipe Pinto
Auicide- Filipe Pinto
Citizen Volsco- Filipe Pinto
Created Volsco 1- Mariana do Ó
Created Volsco 2- Maria Miguel Oliveira
Created Volsco 3- Francisca Fernandes
ATO V
Márcio- Rodrigo Antunes
Menenium -Filipe Pinto
Volhumnia- Maria Miguel Oliveira
Virgilia- Andreia Simões
Valeria- Mariana do Ó
Auicide- Joao Fialho
Conspirator Volsco 1- Carolina Parreira
Conspirator Volsco 2- Mariana do Ó
Sentinel Volsco 1- Carolina Parreira
Sentinel Volsco 2- Mariana do Ó
Soldier Volsco 1- Carolina Parreira
Soldier Volsco 2- Mariana do Ó
Citizen Volsco- Filipe Pinto
Texts of the Ramos
The work that now presents itself stems from encounters and encounters at a crossroads: exploring aspect related to the interpretation of the isabelino text and performing an exercise with spectacle ambition. The Tragedy of Coriolano (1605?), by William Shakespeare, was the material I proposed to make the crossing by a dramatic universe, in which the poetic language reveals breathtaking challenges to the work of the actors: in addition to the development of the narrative and the tessitura of the characters, the dimension of the themes, the profusion of the images, the complex organization of the syntax. Making with this that was one of the last pieces of the English author the montage of a celebrated exercise, without too much dramatic interventions in the translation of Manuel Resende, integrating the different branches of the Graduate Degree into Theatre and in the grinding context of public health we live in, crossed the path of increased challenges. It is therefore a kind of travel reporting; and only with one foot already on land-the other one swinging still amid the waves-, a few hours away from we invite you to listen to us, here are these words about what might be coming to find. Save, good citizens! - APC
Despite our Cena Design class being separated into three different stage plays, we were more united than ever before. It was the first time that we saw our projects take shape and keep track of each other's process made us perceive different possible paths, learn to work with new materials, realize the times and prices that each element may have, among many others. We always support each other and our teachers motivate us every day with a smile on their face, with a willingness to work with us. For the play "Coriolano", we stayed with a room other than the others, which gave us the opportunity to deconstruct a stage in order to build it and so we created a spectacle room. This project has walked many different rails until it comes to its final aspect, always in return with the encenitor. The result impressed us, for even with all the variations of ideas, we noticed that there was a line that was followed from the first conversation with the team. - Cena Design Team
I can characterize the process of the spectacle "The Coriolan" as a unique challenge, full of twists and contravoltas that will certainly mark this walk that is the Theatre Licentiature. It was a moment in which I could put into practice the knowledge acquired in the last two years; however, it was also a moment of personal learning within the framework of the relationships between branches, conflict management and teamwork. - Diogo Zózimo
Orientation and Adaptation- Alexandre Calado
Based on the work of William Shakespeare
Translation- Manuel Resende
Actors ' branch- Rodrigo Antunes, Carolina Parreira, Francisca Fernandes, Andreia Simões, Filipe Pinto, Maria Miguel Oliveira, Mariana do Ó, João Fialho
Figurines, Cenography, Aderepes -Julia Junqueira and Mária Bombardelli
Drawing de Luz- Diogo Zózimo
Creation of Video -Julia Junqueira
Operation of Light -Diogo Zózimo
Sound and video Operation -Julia Junqueira and Mária Bombardelli
Production -Diogo Zózimo
Pedagogical Team ESTC
Actors: Joao Henriques, Peter Michael Dietz
Design of Cena: João Calixto, Stéphane Alberto;
Production: Andreia Carneiro, Conceição Mendes, Miguel Cruz, Teresa Varela
ESTC Production Office- Rute Reis , Conceição Costa,
Thanks- Miguel Mendes, Marta Semion, Sergio Joaquim, Rute reis, Catarina Fernandes, Beatriz Tinoco, Andrea Ebert, Ricardo Junqueira, Luiz Eduardo Lahutte Motta, Marina Andrade, Michele Mazzara, José Espada, João Leitão, Ana Miffon, Sofia Ramos